PRODUCTION
Production Lab offers the opportunity to collaborate with either of our in-house production companies to design, create, produce & manage all of your entertainment or event needs.
SERVICES
Design
From all artistic design (music & sound, performance & choreography, costume, lighting & projection, hair & makeup) to all technical design (automation, rigging, carpentry, sound, lighting & projection) every aspect will be supported by our production team to assure you have a great design.
Create
Our team has a global casting network of performers and choreographers to take design to rehearsal. During the research & development phase, health & safety is always our number one priority and with support from our HR and finance advisors, we will be able to begin making your design a reality.
Produce
All rehearsals, scheduling, budgeting, licensing & insurance, set build & load-in, dry, tech, dress run throughs are bought together in this formation phase - all gearing up for opening night. Our marketing, PR & IT advisors will take care of all the publicity, so you can sit back and enjoy the show.
Manage
Our directors, managers and crew are highly experienced in the entertainment industry and will manage all aspects of the continued casting and running of your show or event, from scheduling, rehearsals/training and paying the cast and crew, to the marketing and box office ticket sales. All to provide your guest with the most memorable experience.
PORTFOLIO
FEATURE PRODUCTIONS
Production Lab presents...
ELVIRA'S ASYLUM
By United Production Works
Elvira’s Asylum transports guests to an asylum of music, dance and comedy as we enter the cavernous theatre to a larger than life set. A gigantic, insane asylum, comically eerie with a large video screen center stage playing depicting patient therapy sessions. Each are comedically disturbing, culminating in patients breaking loose and busting into the theatre itself. The inmates are running amok, the dance music starts, and the hi-jinks begin.
LEND ME A TENOR
By Ken Ludwig
Set in 1934. Saunders, manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers. His pulse is so low that Saunders and his assistant Max believe he’s dead and in a frantic attempt to salvage the evening, Max is persuaded to get into Morelli's costume and fool the audience.
ARSENIC & OLD LACE
By Joseph Kesselring
The 1940's screwball comedy concerning the sweet old Brewster sisters, beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces - by serving elderberry wine spiked with arsenic. It's up to their nephew, Mortimer, to save both his sanity and his recent engagement to Elaine...while keeping his brothers at bay.